THE NEW YORK TIMES | Kandinsky Painting Sells for $45 Million at Auction – Mar 2023 FINANCIAL TIMES | Has the restitution debate undermine the market for african Art ? – Mar 2023 Architectural Digest | TEFAF Maastricht 2023: 27 Treasures We Wish We Could Take Home – Mar 2023 Arab News | Art Dubai highlights role as hub for art from Africa – March 2022 Forbes | Rare Gaze At TEFAF Maastricht: : Stunning Portraits On Market For First Time At Europe’s Leading Art Fair – June 2022 The Art Newspaper | Depictions of the Black figure are finally entering the Western canon—but where are the pot-bellied and love-handled bodies? – April 2022 Galerie | The 2021 Armory Show Heralds the Return of New York’s Art Scene – September 2021 The ArtNewspaper | Why are there so few black-owned galleries in London? – May 2021 The Art Newspaper | New and noteworthy: see what the Armory Show’s younger galleries are bringing to the fair – September 2022 Apollo Magazine | The UK’s commercial galleries are open again – and here are the shows not to miss in London this month – Apr 2021 The Art Newspaper | Art Dubai fair opens—in real life—with ‘pay nothing up front’ plan for galleries – Mar 2021 Architectural Digest India | Everything you need to know about Art Dubai 2021 – Mar 2021 Financial Times | The London gallery making space for contemporary African art – February 2020 Cromwell Place | Can ‘Try Before You Buy” Work for Collecting Art – Feb 2021 The Art Newspaper | Fairs in a time of coronavirus: trepidation turns to relief at a quieter—but not disastrous—Tefaf Maastricht- March 2020 Financial Times | Hong Kong’s Art Central fair — political commentary and accessible prices – March 2019 Financial Times | Art World proceeds with caution as galleries start to reopen – May 2020 Artsy Editorial | Why the Contemporary African Art Market Is Uniquely Positioned to Weather COVID-19 – May 2020 New York Times | The Armory Show: Playing it safe during an unsettled time – March 2020 Artnet | London Gallery Is Trying Out a New Pitch on Collectors: Live With an Artwork for Six Weeks While You Decide If You Want to Buy It
